This year I was honored to be among the inductees into New England Home Magazine’s Design Hall of Fame. Here’s what they had to say:
“Many of the inductees into our eight annual New England Design Hall of Fame took a circuitous route to the design industry, first sampling fashion, medicine, social work, and other careers before finding their true calling in architecture and interior design. The defining thread linking them all is talent, and we are thrilled to announce that Douglas Dick, Treffle LaFlech, Christina Oliver, Dinyar Wadia, Jim Gauthier, Susan Stacy, and Rosemary Porto will be be joining the gifted ranks of architects, interior designers, landscape architects, and specialty designers who came before them.
Although she was born into a family of architects, designers and draftsmen, Christina Oliver did not discover a passion for interior design until after a sixteen-tar career as a social worker. While Oliver was contemplating a higher degree in the mental health field, a Myers-Briggs test revealed a keen sense of space she hand’t previously given much thought to. Once she did, she never looked back.
She earned her certificate in interior design from Boston Architectural College in 1990, and opened Oliver Interiors in 1991. It turns out that social work isn’t so far removed from interior design: Oliver’s skill for listening to what clients really want and then translating that into personal spaces factors heavily in her success. Giving back to the community remains a strong tenet of her work ethic; she places an emphasis on hiring interns, and often works for nonprofits such as Rosie’s Place and the Devon Nicole House at Children’s Hospital Boston.
“With all the help and mentoring that I received during the time I was trying to develop my own career, I felt that I needed to give back,” says Oliver. I work with a lot of people who have a lot of resources, and it’s important to me me to do work for people who don’t have those same resources.”
As past president of ASID New England and current president of the Massachusetts Interior Design Coalition, Oliver has been dedicated to pushing through legislation allowing interior designers to bid on state projects separately from architects and engineers. After years of hard work by Oliver and other designers (including fellow New England Design Hall of Fame inductee Lisa Bonneville and Mount Ida College professor Rose Botti-Salitsky), the bill has finally been signed.
Thanks to the dedication of Oliver and others, interior designers can bid on state projects beginning November 19, 2014.”
Christina here: I’m honored to be among such a wonderful and talented group of inductees this year. My thanks to New England Home Magazine and the 2014 Hall of Fame Selection Committee!
I’m so pleased to share with you the news that the Council for Interior Design (CIDA) Board of Directors has invited me to participate in establishing priorities for the future of interior design education. In early November 2014, at the CIDA’s Future Vision Session, I’ll be joining a “diverse group of nominated thought leaders to establish educational priorities for entry-level practitioners in 2017 and beyond.”
Those of you who know me are aware that I’ve devoted much time and energy throughout my career to groups that establish, license and recognize the professional preparation of interior designers. I held a position on the Founding Committee for the New England Chapter of the International Interior Design Association (IIDA) Business Leaders Breakfast, as well as serving as its co-chair and chair. I’ve served as president of the New England Chapter of ASID, and currently serve as the president of the Massachusetts Interior Design Coalition (MiDC), in addition to maintaining my own interior design firm.
I feel honored to be a part of the CIDA’s Future Vision sessions, along with many other design leaders. I’ve long believed that the interior design profession needs a set of quality assurance standards and educational requirements to ensure that licensed professionals in the field receive the recognition and renumeration they deserve.
I’ll keep you posted on our findings and discussions in November. For more information, visit the CIDA here.
The inspiration for this wall pattern came from the client’s existing artwork.
My collaboration with artisans is some of the most rewarding work I do: sharing my vision based on my client’s dreams, and seeing beautiful original artwork as a result! It’s a team approach to interior design that makes the final sum more beautiful than the individual parts. One of my favorite artisan-partners is Pauline Curtiss, of Patina Designs.
Pauline took a pattern from artwork the client loved, and created this striking design. I decided to use this wall art instead of a tile back splash in the kitchen. My goal was to update the apartment and make it more visually interesting; I find that Pauline’s unique pattern work often adds the final, zestful touch to otherwise serene and functional design.
This kitchen was a comparatively small job, but it has a big impact! The counter is made of Cambria natural stone, a pure quartz that is stronger than granite, and is nonporous for easy care. I repainted the existing cabinets and changed the hardware, counters and added the patterned wall.
Next: the Dining Room
In the dining room, we added more Patina-created patterns on the wall above the chair rail. You can see into the entryway beyond the door, and the patterned walls on the staircase.
One of my favorite projects is a girls’ bathroom we did for another client. The painted wall was inspired by the glass and ceramic tile on the floor, and the glass tile on the jacuzzi tub and backsplash.
Paint, pattern, texture and tile: sometimes the smallest changes make the biggest difference.
Part One in a Series on Small Design Jobs with Enormous Impact
It’s easy to get bogged down at home. The to-do lists are detailed, the work days are long, and the time available for organizing seems short. That’s why the time-honored ritual of spring cleaning is welcomed as a chance to break through chaos and find serenity in our homes again.
The first step in moving from clutter to clarity is re-envisioning the rooms you live in. A busy professional couple I worked with recently had a love of reading and study in their fields that had them almost buried in books, reference materials and paper. After extended hours at their medical practices, they found themselves placing papers in stacks and books in bookshelves that were way over capacity. Their office, hallway and study weren’t functioning well; it was the perfect time to call in an interior designer.
I focused on three main elements to restore peace and order to their home: paint, lighting, and new shelving, created in part from wooden standards that had been in use in another room.
- Paint: Fresh paint goes a long way toward brightening a space, and making it feel more expansive. More here…plus photo
- Lighting: Custom lighting installed in hallways and alcoves made all the difference in illuminating their materials and their lives. More here…plus photo
- New shelving: In addition to making use of shelving that they already owned, they commissioned a carpenter to install all new built-in bookshelves designed by Oliver Interiors to help them organize the office. More here…plus photo
At first glance, there does not appear to be anything graceful in mistakes. They are usually accompanied by chagrin and embarrassment, particularly when a mistake results in a client’s disappointment. I have learned two things in my twenty-five plus years as an interior designer: the first is that mistakes happen, and the second is that it is how you respond to them that matters.
Recently I had a situation where a beautiful custom entertainment cabinet had been made for a client. It took weeks for its completion, and then when delivery was only hours away–disaster. The movers responsible for its delivery dropped it. The specially installed lift inside was irreparably damaged, and the custom-building process had to begin all over again. That was a hard call to make to the client, who had been eagerly anticipating its arrival, but there was nothing else I could do.
I made the call, explained the situation and how I was going to address it, and she accepted my apologies on behalf of the delivery team. We began the process again, with patience and understanding on both sides: her’s toward me and my design firm, and me toward the mover and his delivery crew. Mistakes happen.
Another time clients were in the midst of renovating a home and redesigning the living room for a wonderful celebration: the Bar Mitzvah of their eldest son. Everything arrived on schedule, without mishap, including two custom-made chairs. Except that the fabric that was supposed to cover the chairs had never been applied.
Several phone calls were rapidly made, the chairs were returned to the manufacturer who pulled out all the stops to recover them in the fabric we had so carefully chosen, and they were delivered–again–in time for the family event. No amount of yelling, hair pulling or finger pointing could have resolved the situation, but a quick assessment of the problem, and a pleasant but firm request for it’s resolution resulted in everything being made right before the big day.
Hiring a designer involves selecting someone whose vision speaks to you, whose personality blends easily with yours; and, whose credentials and reputation show them to be at the top of their industry. But remember that mistakes do happen, and a graceful response makes the difference between a design project you love, and a design project you never want to repeat again.